FUMED: Meditations on Urban Aesthetics
Curated by Jaime Mendoza

Artists:
Jessica Aiken
Mike Genovese
Victor Lopez
Nino Rodriguez

Opening Friday, December 2, 2005 from 6pm 10pm

December 2, 2005 – December 24, 2005

Mini-installation:Marcela Chaidez de Nunez
Mini-exhibit: Elvia Rodriguez-Ochoa

“ FUMED” is not an attempt to “gallerize” Graffiti in its true form rather it focuses on the conceptual exercise in which artists examine their artistic transformation upon the introduction of Graffiti into their studio practice. The fusion that occurs between these two camps generates a crossbreed of hybrid aesthetics which constructs a visual language that leads to a distinct and idealistic identity.

The participating artists have either practiced Graffiti for creative pursuits or have been influenced through contemporary urban culture.

Jessica Aiken
Jessica Aiken's practice derives mostly from her own personal narrative. She does not limit herself as far as medium, but works primarily in painting, video, and installation. She utilizes documentary-like storytelling techniques and autobiography to examine issues of nostalgia, memory, domesticity, and propriety.

Her urban living experiences (Chicago for 6 years and New York for 1 year) have probably had the largest influence on her as far as her interest in graffiti. She has used graffiti in her work as a storytelling device, as a depiction of itself, and as domestic signage. The pieces on display are some of her earlier works using graffiti.

She was first drawn to graffiti for it's storytelling abilities. Around the time that she started incorporating Graffiti into her paintings she was also heavily influenced by comic book art and cave paintings which also follow storytelling characteristics. The process of creating this work was both diaristic as well as formally exploratory.

Her later work begins to use graffiti for it's domestic meanings; taking her inspirations more specifically from Chicago garages, alleys, and abandoned buildings. She began to use messages she had seen spray painted such as "Keep Out" and "Private Property", replicating them in her paintings. Using graffiti in this way she was able to examine it as a way "marking territory" or making a "public" space into a "private" space.


Mike Genovese
Genovese's love of typography began in the lower to middle class neighborhoods of Chicago where graffiti was his inspiration.

From the big city, Genovese left to travel with a carnival where his passion for letter form developed further as a sign painter. Following his return to Chicago in 2001, Mike put his experiences together and began creating truly unique works of art. Cryptic letter forms, rich textures, samples of dialogue, intricate abstractions, and found objects are all combined to form Genovese's socially conscious communications of hope and despair.




Victor Lopez
Growing up on the Northwest side of Chicago, Logan Square, Lopez first began to practice Graffiti in 1987.

It was during this time that Lopez began to develop his control of the spray can allowing him to create intricate designs and color schemes which resulted in a unique brand of Graffiti. His passion for Graffiti led him to further investigate the possibilities of reproducing his imagery with oils and acrylics.





Nino Rodriguez
Born in Michoacan, Mexico, Rodriguez first began painting Graffiti Art on the North side of Chicago in 1984. His work has been displayed widely across America and Europe. He is best known for his straight raw American graffiti which incorporates the use of complex "wild style" typography and a distinct palette of colors which makes each individual piece different from the last.

Rodriguez has reinvented Graffiti aesthetics to create new and complex art to reproduce the history of Meso-American and Latin American through the iconography of symbols for gods and warriors. His interests lie specifically within the Mexica culture, religion, art and ideology.


Mini-installationt: Marcela Chaidez de Nunez
Marcela Chaidez de Nunez’ work manifests her personal experience by utilizing events in her relationship through Perforaismo, a technique in which pieces of suggested words are punctured directly from the pages of a book with a circle extractor.




Mini-exhibit: Elvia Rodriguez-Ochoa

co-sponsored by the Chicago ENLACE Partnership at Northeastern Illinois University
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